Charlotta Öfverholm – Artistic director and Performer
Since the start of Compagnie Jus de la Vie 1995, Swedish Öfverholm has created over 25 productions, which have toured all over Europe, North and South America and Africa. Her work is physical dance theatre with depth, irony, brutality and humour.
Öfverholm graduated from Balettakademien, Alvin Ailey ADC (NYC), is a theatre graduate of UCLA in Film/TV/Video and from The Lee Strasberg Theatre Institute (LA). She has a background as dancer with numerous companies such as DV8 Physical Theatre/Lloyd Newson, Bill T. Jones/NYC, Sean Curran /NYC, Complexions/ NYC, Farm in the Cave/Viliam Docolomansky/ Prague, Roberto Galván/ Tanzcompagnie Giessen, Joseph Tmim /Toláda Berlin, Ramon Oller/ Metros Barcelona, Robert Poole/ Ballet Linz, Cie Corinne Lanselle in Paris, Dorte Olesen and Richard Turpin at the Royal Dramatic Theatre and Björn Elisson Kompani in Stockholm among others. Lead roles include Death in Ingmar Bergmans Sjunde Inseglet (Uppsala Stadsteater), Shakespeare’s Hamlet (Landestheatre Linz by Robert Poole), Alice in Alice in Wonderland (Stadttheater Giessen by Roberto Galvan), and Lola in Lola and Mr Talk at Divadlo Archa (by Jan Kodet) for which she was nominated a Thalia Prize at the National Theatre in Prague CZ 2005. She performed in musicals like Cabaret at the Royal Dramatic Theatre and Leva Livet at Chinateatern, Stockholm. Charlotta choreographs commissioned works for companies such as Norrdans/SW, Vertedance Prague/CZ, Ballet Linz/AU, Tanztheater Münster/DE, Folkoperan/SWE and Gothenburg Dance Company/SWE. She has choreographed films and documentaries for Swedish Television among them Holiday and Bortkopplad by Anna Duell and Gunstlingen by Astrid Ohlsén. Coordinates and programmes for Balettakademien’s International Summer festival since 2005. Created Fucking burn it – Age on Stage 2015, a big festival about age and dance. Seminars, performances, films, workshops with mature dancers from all over the world.